Broken Arm Trio
by Broken Arm Trio
Harm Slagter
fezzant
randomjazzr
dhpare
Michael Jung
ninoanders
caudal fin
Zoran Paar
Sam Meyer
jaky diroll
Myrmecophaga
o'Tochtone
Saint Stanislaus
James Kerr
Aaron Garrett
Kevin Nichols
Mark Crewe (SpAcE HopPeR)
Peter Hollo
Mike C.
montongoria
lupercalius
rosewreaths
ciamigrants
javier_victor
Laurence Kirmayer
Martin Gagne
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Spinning Plates
03:23
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2. |
Pearls
04:36
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3. |
Knife Points
02:36
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Jim Zipper
01:08
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5. |
Pretty Penny
04:15
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6. |
Easy
06:10
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7. |
Cake
03:38
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8. |
Buffalo
01:29
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9. |
Hop Skip
06:47
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10. |
Ink
02:01
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11. |
Big Shoes
04:13
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12. |
In The Spirit
04:00
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13. |
Tiny's
04:44
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about
Tracks are 24-bit WAV files.
CD Is A Burning Trio Set Steeped in the Influences of Oscar Pettiford and the Small Group Feel of Herbie Nichols
"This is effervescent small-group jazz executed with wit and soul." -Nate Chinen, The New York Times
On his new release, The Broken Arm, cellist Erik Friedlander highlights his unique pizzicato playing--higher and more incisive than the bass, warmer than the piano, but similarly rhythmic and able to freely engage in the give-and-take that is so essential to the jazz. “While there have been a few groundbreaking practitioners, notably bassist Oscar Pettiford, the cello has a tenuous connection to jazz, and is still considered a novelty,” explains Friedlander. “The cello is an untapped resource and I'm looking to create some new lasting traditions.”
The music on The Broken Arm is soulful and grooving, part reminiscence and part tribute. The tunes are playful, and the performances exuberant. Friedlander has made a personal statement that is, simply, a whole lot of fun to listen to.
The title of the CD comes from an anecdote about Oscar Pettiford: In 1949, Pettiford broke his arm playing baseball. He could still move his fingers even though his arm was in a sling, so he began experimenting with a cello a friend had lent to him. He tuned the cello like a bass only an octave higher and later recorded a series of cello-led projects. “For me Pettiford is a hero: he had a deep connection to the cello--he believed in it as a jazz instrument,” says Friedlander.
Friedlander grew up listening to 1950 and 60's jazz. His father, renowned photographer Lee Friedlander, is a huge jazz fan and played the music of Charlie Parker, Lester Young, Count Basie, and Sonny Rollins, loudly at home and on long family trips. It was natural for Erik, then, to train in jazz performance traditions while in his late teens and twenties, and later choose to immerse himself in New York's Downtown scene in groups that were creating a more modern jazz tradition, working with artists such Dave Douglas, Joe Lovano and John Zorn.
Friedlander has not only backed John Zorn, Laurie Anderson, Courtney Love, and The Mountain Goats, he has also recorded 9 CDs as a leader. Whether playing solo or with one of his bands, Friedlander pushes the limits of what the cello can do, while maintaining a firm grasp on its traditions. Pitchfork Media said, “Erik Friedlander can do things with a cello that should have a reasonable listener fearing for her life."
Joining Erik on The Broken Arm are drummer Mike Sarin and bassist Trevor Dunn, both first-call players on the New York scene. Trevor is a co-founder of the avant-rock band Mr. Bungle, plays with Electric Masada, and leads his own jazz-inspired Trio-Convulsant. Mike is one of the most inventive drummers on the scene, making his name first with the Thomas Chapin Trio and then with Ben Allison, David Krakauer Myra Melford, Drew Gress and many others.
For additional information, visit www.erikfriedlander.com
CD Is A Burning Trio Set Steeped in the Influences of Oscar Pettiford and the Small Group Feel of Herbie Nichols
"This is effervescent small-group jazz executed with wit and soul." -Nate Chinen, The New York Times
On his new release, The Broken Arm, cellist Erik Friedlander highlights his unique pizzicato playing--higher and more incisive than the bass, warmer than the piano, but similarly rhythmic and able to freely engage in the give-and-take that is so essential to the jazz. “While there have been a few groundbreaking practitioners, notably bassist Oscar Pettiford, the cello has a tenuous connection to jazz, and is still considered a novelty,” explains Friedlander. “The cello is an untapped resource and I'm looking to create some new lasting traditions.”
The music on The Broken Arm is soulful and grooving, part reminiscence and part tribute. The tunes are playful, and the performances exuberant. Friedlander has made a personal statement that is, simply, a whole lot of fun to listen to.
The title of the CD comes from an anecdote about Oscar Pettiford: In 1949, Pettiford broke his arm playing baseball. He could still move his fingers even though his arm was in a sling, so he began experimenting with a cello a friend had lent to him. He tuned the cello like a bass only an octave higher and later recorded a series of cello-led projects. “For me Pettiford is a hero: he had a deep connection to the cello--he believed in it as a jazz instrument,” says Friedlander.
Friedlander grew up listening to 1950 and 60's jazz. His father, renowned photographer Lee Friedlander, is a huge jazz fan and played the music of Charlie Parker, Lester Young, Count Basie, and Sonny Rollins, loudly at home and on long family trips. It was natural for Erik, then, to train in jazz performance traditions while in his late teens and twenties, and later choose to immerse himself in New York's Downtown scene in groups that were creating a more modern jazz tradition, working with artists such Dave Douglas, Joe Lovano and John Zorn.
Friedlander has not only backed John Zorn, Laurie Anderson, Courtney Love, and The Mountain Goats, he has also recorded 9 CDs as a leader. Whether playing solo or with one of his bands, Friedlander pushes the limits of what the cello can do, while maintaining a firm grasp on its traditions. Pitchfork Media said, “Erik Friedlander can do things with a cello that should have a reasonable listener fearing for her life."
Joining Erik on The Broken Arm are drummer Mike Sarin and bassist Trevor Dunn, both first-call players on the New York scene. Trevor is a co-founder of the avant-rock band Mr. Bungle, plays with Electric Masada, and leads his own jazz-inspired Trio-Convulsant. Mike is one of the most inventive drummers on the scene, making his name first with the Thomas Chapin Trio and then with Ben Allison, David Krakauer Myra Melford, Drew Gress and many others.
For additional information, visit www.erikfriedlander.com
credits
released October 21, 2008
Produced by Erik Friedlander
Recorded to 2" Tape by Scott Solter January 24-25, 2008 at Excello Studios in Williamsburg, Brooklyn
Mixed by Scott Solter at Tiny Telephone February 15-16, 2008
Mastered by Steve Berson at TotalSonicMedia
Erik Friedlander, cello
Trevor Dunn, bass
Mike Sarin, drums
Thanks to:
Staff at Excello with special shout out to Nathan, John Vanderslice and Tiny Telephone, Scott Solter, Kio Griffith, and Dick Connette.
Produced by Erik Friedlander
Recorded to 2" Tape by Scott Solter January 24-25, 2008 at Excello Studios in Williamsburg, Brooklyn
Mixed by Scott Solter at Tiny Telephone February 15-16, 2008
Mastered by Steve Berson at TotalSonicMedia
Erik Friedlander, cello
Trevor Dunn, bass
Mike Sarin, drums
Thanks to:
Staff at Excello with special shout out to Nathan, John Vanderslice and Tiny Telephone, Scott Solter, Kio Griffith, and Dick Connette.
license
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about
Erik Friedlander New York, New York
Cellist Erik Friedlander is a prolific solo artist, bandleader and film composer. Having been a sought after studio musician and improviser in New York’s downtown music scene for years, Friedlander has recently become well known for his work scoring film and television. He most recently scored the film "Baby Ruby" by first time director Bess Wohl appearing now at the Toronto Film Festival. ... more
discography
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Apr 2022 -
Oct 2020 -
Apr 2018 -
Feb 2021